God Only Knows

"Dieu sait quoi" is a poetic essay film that resists conventional narrative structure. Rather than telling a linear story, the film unfolds as a meditation on time, memory, landscape, and the persistence of ruins. Through contemplative images - ancient stones, Mediterranean landscapes, fragments of architecture, textures of earth and sea - Pollet reflects on civilization, decay, and the traces left behind by human presence. A sparse voice-over and carefully composed visuals create a philosophical dialogue between past and present. The film moves between documentary observation and lyrical abstraction, transforming landscapes into spaces of thought. As in much of Pollet's later work, "Dieu sait quoi" becomes a meditation on mortality, history, and the fragile continuity of culture. Minimalist and introspective, the film invites the viewer not to follow a plot, but to enter a reflective state - where images, silence, and duration become the true narrative.