Warlock - All We Are

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Added 16 years ago by External VIP Uploader 2nafish in Movies - Music videos
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Warlock - All We Are
  • Release date: 11 Jan 1991
  • Release year: 1989
  • Runtime: 103 minutes
  • Country: United States
  • Keywords: warlock, witch, pagan, paganism, good versus evil, cemetery, evil man, lightning, bare midriff, year 1691
  • Budget: $7,000,000
Plot:
In Boston of 1691, a warlock is sentenced to death, but escapes magically into the future (our present), followed doggedly by the witch hunter. There he is searching for the three parts of the Devil's Bible, trailed by the witch hunter and the woman whose house he landed in. They must stop him, as the book contains the true name of God, which he can use to un-create the world.

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Torrent Contents Size: 130.38 MB

Warlock - All We Are

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Media Information

ⓘ Description Feb 27, 2026

General

Format: MPG

Video Streams

Video Stream 1 MPEG-2 SD
Resolution: 720 x 480 (480p/SD)
Codec: MPEG-2?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 6.1 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 29.97 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 DD GER
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.