To End All Wars (2001)

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Added 16 years ago by shotgunbill in Movies
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To End All Wars (2001)
  • Release date: 2 Sep 2001
  • Release year: 2001
  • Runtime: 117 minutes
  • Country: United States
  • Keywords: scottish soldier, man tied up, american, male rear nudity, jungle, escape, tarsau burma, railway of death, supply line, male rape
  • Budget: $14,000,000
Plot:
Life is brutally harsh in the Japanese camps, as in one in Burma where POW's, mainly from a Scottish regiment, must build part of the enemy's supply railroad trough the ever-inhospitable jungle, and not just in terms of poor conditions, but also brutal discipline under a bushido logic which assumes Westerners to be an inferior race, in need of doggish discipline, while even for Japanese troops and Korean auxiliaries severe corporal punishment always looms. The POWs realize respect is the key, and earn some from the camp staff by taking efficient charge of the engineering challenge, and self-respect furthermore by mounting a Shakespeare play and a 'jungle university'. Still a violent escape attempt is made, not without punishment and gruesome twist, and again as the fortune of war turns the tables...

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To End All Wars (2001)

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ⓘ Description Feb 27, 2026

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Format: AUDIO VIDEO INTERLEAVE
File Size: 700 MB

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Video Stream 1 MPEG-4 SD
Resolution: 640 x 368 (480p/SD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
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Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
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Audio Stream 1 MPEG_1_AUDIO_LAYER_3 2.0
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
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Codec: MPEG_1_AUDIO_LAYER_3?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
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Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 177 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.