The Trap [1959 - USA] action

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The Trap [1959 - USA] action
  • Release date: 5 Feb 1959
  • Release year: 1959
  • Runtime: 84 minutes
  • Country: United States
  • Keywords: man killed, father son conflict, handcuffed man, sweaty cloth, driving through the desert, man shot, gunshot wound, criminal entanglement, dusty road, brother brother relationship
Plot:
Lawyer Ralph Anderson arrives in Tula, a remote town in the desert, as a reluctant emissary of mob chief Victor Massonetti, who wants the airstrip cleared for his unofficial exit from the country. Ralph's arrival has a profound effect on his estranged father, the sheriff; his brother Tipppy, an alcoholic deputy; and his ex-sweetheart Linda, now married to Tippy. Tension builds as a small army of gangsters takes over the town. Then the situation abruptly changes.

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ⓘ Description Feb 27, 2026

General

Format: MKV

Video Streams

Video Stream 1 H.264 1080p
Resolution: 1920 x 1080 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 5 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 DD ENG
Channels: β€”?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 640 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.