The Terminal(2004)MPEG-4[DaScubaDude]

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The Terminal(2004)MPEG-4[DaScubaDude]
  • Release date: 18 Jun 2004
  • Release year: 2004
  • Runtime: 128 minutes
  • Country: United States
  • Keywords: airport, man without a country, flight attendant, fish out of water, fictional country, jazz, john f. kennedy international airport, commercial air travel, inspired by a true story, language barrier
  • Budget: $60,000,000
Plot:
Former Krakozhian Viktor Navorski is almost in New York City for the first time in his life. "Former" and "almost"?: while Viktor is flying to JFK Airport, Krakozhia has been overthrown as a country with no nation recognizing the new regime, therefore all government papers such as passports, visas and currency issued by Krakozhia are also not recognized internationally. With only these papers in hand when Viktor arrives at JFK, he is not allowed entry into the United States. All air service in and out of Krakozhia has been suspended and thus Viktor cannot even be sent back until Krakozhia's situation is resolved. Frank Dixon, Director of Customs and Border Protection at JFK, allows Viktor to stay in the international lounge until the problem is resolved. Dixon gives Viktor enough meal vouchers to last for a day or two, with Dixon expecting Viktor to secretly escape the lounge into the outside world. Viktor, however, wants to be as proper as possible and decides to stay in the lounge. Viktor poses a problem for Dixon, as Viktor may be the black mark in his promotion to head of the department. Their relationship becomes an antagonistic one, where Dixon will now do whatever he can to prevent Viktor from ever entering the country even if he ever did learn the heartbreaking reason for Viktor's visit. As Viktor stays in the lounge, he only has limited resources on which to live and a limited understanding of the English language. Viktor's encounters with lounge employees is also initially antagonistic, but they all learn to live in harmony and friendship as Viktor's stay increases. The one person Viktor would like to meet and know is United Airlines flight attendant Amelia Warren, who is in transit through JFK every few weeks and who seems to be dealing with her own personal demons.

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The Terminal(2004)MPEG-4[DaScubaDude]

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ⓘ Description Feb 27, 2026

General

Format: MP4
File Size: 1.31 GB
Duration: 02:00:00
Overall Bit Rate: 1.5 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 H.264 SD
Resolution: 720 x 404 (480p/SD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 1.2 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 29.97 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Pixel Format: 4:2:0 8-bit?Pixel Format4:2:0 — Standard color storage. Looks identical to full color for virtually all content.

8-bit — Standard color depth with 16.7 million colors.

Audio Streams

Audio Stream 1 AAC 5.1
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: AAC?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 44.1 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 258 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.