The Aftermath [1982 - USA] post apocalyptic sci fi

seeders: 3 leechers: 0 updated: 2 months ago
Added 6 years ago by NrKNrK in Movies
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The Aftermath [1982 - USA] post apocalyptic sci fi
  • Release year: 1982
  • Runtime: 95 minutes
  • Country: United States
  • Keywords: mutant, space sci fi, nuclear war, post apocalypse, post nuclear, boy, blond boy, execution, video nasty, nipples visible through clothing
  • Budget: $250,000
Plot:
Two astronauts return to Earth to find that it has been destroyed by nuclear war. L.A. has been taken over by Cutter and his gang of outlaw bikers. Cutter rapes and pillages. There are also mutants. The astronauts hook-up with the only normal people left: two women, a boy and a girl.

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Torrent Contents Size: 1.8 GB

The Aftermath [1982 - USA] post apocalyptic sci fi

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ⓘ Description Feb 27, 2026

General

Format: MKV

Video Streams

Video Stream 1 H.264 1080p
Resolution: 1920 x 1080 (1080p/FHD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 2.3 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 DD ENG
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 384 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.