Suomi

The movie theater ceases to be support for a film that transcends the picture, the universe captured by a camera. Music, as a consequence of that abandonment, reflects the vulnerability in which the story can be influenced. A post-production of the unpublished, an edition of what is not shown, the evidence of a void. Ulises flows on a musical journey. A sequence of images is projected on the wall. In the screening, two stories are crossed: a tourist trying to get naked in the snow and a group of deserted soldiers who seek refuge. The cinematographic ellipsis, scenic time and live music coexist in a space where identity becomes a starting point.