Revolver - Sergio Sollima 1973

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Added 17 years ago by plikketella in Movies
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Revolver - Sergio Sollima 1973
  • Release date: 1 Nov 1975
  • Release year: 1973
  • Runtime: 111 minutes
  • Country: Italy, France, West Germany
  • Keywords: french alps, pinup girl, italy, french poliziottesco, german poliziottesco, grindhouse film, cult film, 1970s, gunshot wound, drive by shooting
Plot:
An Italian official's wife is kidnapped, and the kidnappers demand that a notorious prisoner be released in order for the man to get his wife back. He gets the man released--but then kidnaps him himself, in order to ensure that the man's colleagues don't kill his wife. Enraged, the gang sets out to free their compatriot and kill the man who took him.

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Torrent Contents Size: 716.37 MB

Revolver - Sergio Sollima 1973

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Media Information

ⓘ Description Feb 27, 2026

General

Format: AVI
Duration: 11:31:01

Video Streams

Video Stream 1 DX50 SD
Resolution: 640 x 368 (480p/SD)
Codec: DX50?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 851 kbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 MP3 2.0
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
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Codec: MP3?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 44.1 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 96 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.