Kill List (2011) BRRip (xvid) NL Subs DMT

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Kill List (2011) BRRip (xvid) NL Subs DMT
  • Release date: 2 Sep 2011
  • Release year: 2011
  • Runtime: 95 minutes
  • Country: United Kingdom, Germany, Sweden, Australia
  • Keywords: hitman, folk horror, male full frontal nudity, contract killer, ritual sacrifice, ritual killing, male frontal nudity, pedophilia, cult, torture
  • Budget: $500,000
Plot:
Jay, a British ex-military man drowning in unemployment, is unwilling to snap out of his depression. Instead, he sees his ever-growing debt robbing him of his dignity. But Gal, Jay's former army pal, has a little something for the two of them that might be worth their while. Motivated to stain his hands with blood again, Jay agrees to undertake a murder triptych to bounce back. After all, the job pays well, and the mission is local. However, the more Jay and Gal try to get the brutal task over with, the more the sinister stranglehold of evil tightens. And the question remains: Who's on their bloody kill list?

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Torrent Contents Size: 801.3 MB

Kill List (2011) BRRip (xvid) NL Subs DMT

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ⓘ Description Feb 27, 2026

General

Format: AVI
File Size: 800 MB

Video Streams

Video Stream 1 MPEG-4 1080p
Resolution: 1920 x 1080 (1080p/FHD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →

Audio Streams

Audio Stream 1 DD 5.0
Channels: 5 channels?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 448 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.