Harry and the Hendersons (1987) 2160p Bluray Remux h265 DV HDR10 DTS-HD MA 5.1-3G_Rips
- Movie: Harry and the Hendersons
- Detected quality: 4K (BluRay, Remux, HDR, Dolby Vision, DTS-HD MA, x265)
- IMDb link: 0093148
- IMDb rating: 6.1 (40,740 votes) Search
- Genres: Comedy, Fantasy, Family
- Director: William Dear
- Cast: John Lithgow, Melinda Dillon, Margaret Langrick, Joshua Rudoy and others
- Release date: 5 Jun 1987
- Release year: 1987
- Runtime: 110 minutes
- Country: United States
- Keywords: bigfoot, hit by a car, license plate, hunter, obsession, kindness, change of heart, compassion, dog, camping trip
- Budget: $10,000,000
Returning from a hunting trip in the forest, the Henderson family's car hits something in the road. At first, they fear it was a man, but when they examine his "body", they find he's a "bigfoot". They think he's dead, so they decide to take him home. As you guessed, he isn't dead. Far from being the ferocious monster they fear him to be, he's a friendly giant. In their attempts to keep him a secret, they have to hide him from the authorities and a man who has made his goal in life to catch a "bigfoot".
Torrent Contents Size: 78.06 GB
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| Harry and the Hendersons (1987) {imdb-tt0093148} 2160p Bluray Remux h265 DV HDR10 DTS-HD MA 5.1.mkv |
MKV
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78.03 GB
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Description
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Location
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Torrent hash:
Media Information
ⓘ Description
May 21, 2026
General
Format:
MKV
File Size:
78 GB
Duration:
01:50:00
Overall Bit Rate:
101.5 MbpsOverall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.
Video Streams
Video Stream 1
HEVC
4K
Resolution:
3840 x 2160 (4K/UHD)
Codec:
HEVC (H.265)Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2→H.264→HEVC→AV1
OlderMore efficient →
Bit Rate:
93.3 MbpsVideo Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Aspect Ratio:
16:9Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1
Audio Streams
Audio Stream 1
DTS-HD MA
5.1
ENG
Channels:
5.1 SurroundAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
DTS-HD Master AudioAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
2.4 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2
DTS
5.1
ENG
Channels:
5.1 SurroundAudio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec:
DTSAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
1.5 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 3
DTS-HD MA
2.0
ENG
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
DTS-HD Master AudioAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
1.6 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 4
DTS
2.0
ENG
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
DTSAudio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
1.5 MbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 5
DD
2.0
ENG
Commentary
Channels:
StereoAudio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec:
Dolby Digital (AC-3)Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate:
48 kHzSample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate:
192 kbpsAudio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Note:
Commentary by director William Dear and filmmaker Douglas Hosdale
Subtitles
ENG
PGS
ENG
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