Giuseppe de Santis - Riso Amaro (1949)

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Added 14 years ago by mfcorrea in Movies
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Giuseppe de Santis - Riso Amaro (1949)
  • Release date: 18 Sep 1950
  • Release year: 1949
  • Runtime: 108 minutes
  • Country: Italy
  • Keywords: jewel thief, po valley, brawl, fistfight, small time crook, rain, gum chewing, beauty contest, jealousy, heavy rain
  • Budget: $70,000,000
Plot:
Francesca and Walter are two-bit criminals in Northern Italy, and, in an effort to avoid the police, Francesca joins a group of women rice workers. She meets the voluptuous peasant rice worker, Silvana, and the soon-to-be-discharged soldier, Marco. Walter follows her to the rice fields, and the four characters become involved in a complex plot involving robbery, love, and murder.

Available in versions:
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Torrent Contents Size: 1.5 GB

Giuseppe de Santis - Riso Amaro (1949)
Riso Amaro.avi
AVI
1.5 GB
Riso Amaro.eng.srt
SRT
68 KB
Riso Amaro.esp.srt
SRT
78.3 KB
Riso Amaro.ptb.srt
SRT
76.9 KB

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Media Information

ⓘ Description Feb 27, 2026

General

Format: AVI
Duration: 01:44:14

Video Streams

Video Stream 1 MPEG-4 SD
Resolution: 696 x 520 (576p/SD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 1.9 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.

Audio Streams

Audio Stream 1 DD ITA
Channels: โ€”?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 128 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.