Fantasma d amore - Dino Risi 1981 [ITA-ESP]

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Fantasma d amore - Dino Risi 1981 [ITA-ESP]
  • Release date: 3 Apr 1981
  • Release year: 1981
  • Runtime: 96 minutes
  • Country: Italy, West Germany, France
  • Keywords: reference to ignatius de loyola, reference to paul claudel, reference to the rime of the ancient mariner, reference to samuel taylor coleridge, reference to horace, reference to nostradamus, star crossed lovers, lake, drowning, psychotronic film
Plot:
Pavia, end of the 1970s: Nino Monti, a well-known tax consultant, pays for the bus ticket of a miserable-looking, sick woman who has no change. That very evening, she wants to give him back the 100 lire and introduces herself: Anna Brigatti, his great childhood sweetheart. To his wife's horror, he becomes obsessed with Anna, sees pictures of her when she was young and beautiful and tries to see her again. He is all the more shocked when a doctor friend who knew Anna tells him that she died three years ago. Nino won't let go and wants to see Anna again. She calls him to tell him that he can visit her in a manor house in the country. There she welcomes him, young and good-looking as in the old days, but she is now married to the owner of the house, Count Zighi. In order to make love again as they used to, they meet on a boat on the river - but Anna suddenly disappears under the water. Nino calls the police, who search for Anna - without success. Nino, who has now been abandoned by his wife, starts to investigate Anna and has to admit to himself that his supposed certainties do not stand up to reality. Is he slowly descending into madness or do ghosts really exist?

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Torrent Contents Size: 934.6 MB

Fantasma d amore - Dino Risi 1981 [ITA-ESP]

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ⓘ Description Feb 27, 2026

General

Format: MPEG
File Size: 935 MB
Duration: 01:00:00
Overall Bit Rate: 1.5 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 MPEG-4 SD
Resolution: 688 x 368 (480p/SD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 1.2 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 1.85:1 Flat?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
1.85:1
Black bars top & bottom on a 16:9 screen
4:3
16:9
1.85:1
2:1
2.39:1

Audio Streams

Audio Stream 1 MP3 2.0 ITA
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: MP3?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 128 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 MP3 2.0 ESP
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
LR👤
Codec: MP3?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 128 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.