Deadline 2002 XVID

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Added 20 years ago by cubik25 in Movies
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Deadline 2002 XVID
  • Release date: 15 Apr 2002
  • Release year: 2002
  • Runtime: 21 minutes
  • Country: Netherlands
  • Keywords: office, zombie, torn in half, spitting blood, reporter, mosquito, camera crew, blood
  • Budget: $4,000
Plot:
TV news crew, looking for a 'scoop', discover a trashed office space, with only one survivor to tell them what happened. But are they alone...

Available in versions:
480p

Torrent Contents Size: 327.76 MB

Deadline 2002 XVID
Deadline.nfo
NFO
937 B
Deadlline_dut_xvid.avi
AVI
327.39 MB
subtitles.rar
RAR
373.47 KB

Description

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Location

Trackers

Tracker name
udp://tracker.coppersurfer.tk:6969/announce
udp://9.rarbg.me:2850/announce
udp://9.rarbg.to:2920/announce
udp://tracker.opentrackr.org:1337
udp://tracker.leechers-paradise.org:6969/announce
Torrent hash:
Audio Quality
0/10
Video Quality
0/10

Media Information

ⓘ Description Feb 27, 2026

General

Format: AVI
File Size: 327 MB

Video Streams

Video Stream 1 MPEG-4 SD
Resolution: 640 x 340 (480p/SD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)
Aspect Ratio: 16:9?Aspect RatioThe shape of the video frame. Wider ratios give a more cinematic look but may show black bars on a standard screen.
16:9
16:9
Fills a standard 16:9 screen perfectly
4:3
16:9
1.85:1
2:1
2.39:1

Audio Streams

Audio Stream 1
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 128 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.