Contract to Kill 2016 HDRip XviD AC3-EVO

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Added 10 years ago by mazemaze16 in Movies - DVD
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Contract to Kill 2016 HDRip XviD AC3-EVO
  • Release date: 9 Dec 2016
  • Release year: 2016
  • Runtime: 90 minutes
  • Country: United States, Monaco
  • Keywords: gunfight, mission, fistfight, fight, brawl, espionage, mixed martial arts, hand to hand combat, punched in the face, punched in the chest
  • Budget: $5,000,000
Plot:
Harmon is a CIA/DEA enforcer investigating terrorists captured in Mexico. With his team--seductive FBI agent Zara and spy-drone pilot Sharp--he flies to Istanbul and uncovers a brutal plot: extremists plan to use Sonora drug-smuggling routes to bring deadly weapons, and leaders, into the U.S. To prevent an attack on America, Harmon must turn these two savage forces against one another before his time--and his luck--run out.

Available in versions:
1080p 720p 480p

Torrent Contents Size: 1.4 GB

Contract to Kill 2016 HDRip XviD AC3-EVO

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Media Information

ⓘ Description Feb 27, 2026

General

Format: AVI

Video Streams

Video Stream 1 MPEG-4 SD
Resolution: 720 x 304 (480p/SD)
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 1.8 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.

Audio Streams

Audio Stream 1 DD 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 384 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.