Clear and Present Danger 1994 x264 DTS-WAF

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Clear and Present Danger 1994 x264 DTS-WAF
  • Release date: 3 Aug 1994
  • Release year: 1994
  • Runtime: 141 minutes
  • Country: United States, Canada
  • Keywords: rescue mission, colombia, money laundering, conspiracy, mercenary, drug cartel, cancer, covert operation, corrupt politician, organized crime
  • Budget: $62,000,000
Plot:
Jack Ryan, a CIA analyst, is thrust right in the middle of a power struggle within the Colombian drug cartel after one of the President's "life-long" friends is murdered, apparently in retaliation for stealing money as part of a money laundering scheme for the cartel. Jack is then appointed acting Deputy Director of Intelligence, CIA, upon the terminal illness of Admiral James Greer, former DDI, and quickly gets in over his head due to his political naivete. The situation rapidly deteriorates when some of the president's men convince the President to conduct covert actions against the cartel, in direct violation of congress. Felix Cortez, the security chief of Ernesto Escobedo, the "victim" of the missing money, is one of the cartel bosses. Cortez tries to play both sides, appearing to inform Escobedo about the CIA's involvement in the covert operations against him, while trying to orchestrate a coup to take over the cartel, with Cortez as its sole boss. James Cutter, the President's National Security Advisor, makes his own deal with Cortez, with the President's knowledge, and halts communications to the covert troops still in Colombia, through the Deputy Director of Operations, CIA, Robert Ritter. Ryan ends up going to Colombia to rescue the covet ops troops with the help of field agent, John Clark, but not before some fence mending between the two, seeing as Ritter blamed Ryan for the communication outage, with Clark's men subsequently being captured by Cortez's mercenaries.

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ⓘ Description Feb 27, 2026

General

Format: MKV
File Size: 2.74 GB
Duration: 02:21:15
Overall Bit Rate: 2.8 Mbps?Overall Bit RateTotal data per second for the entire file — video, audio, and subtitles combined.

Video Streams

Video Stream 1 H.264 720p
Resolution: 1280 x 568 (720p/HD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 2 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 DTS 5.1
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 755 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.
Audio Stream 2 DTS 5.1 ENG
Channels: 5.1 Surround?Audio Channels5.1 Surround — five speakers plus a subwoofer for bass. Creates an immersive, cinema-like sound field.
FLCFR👤SLSRSUB
Codec: DTS?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 755 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.