Behind The Red Door[2003]SHOWTIMERIP

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Added 15 years ago by Everlasting_Notion in Movies
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Behind The Red Door[2003]SHOWTIMERIP
  • Release date: 12 Jan 2003
  • Release year: 2003
  • Runtime: 105 minutes
  • Country: United States
  • Keywords: gay interest, gay brother, gay, aids, brother sister relationship, prologue, black and white prologue, younger version of character, morphine iv bag, past
Plot:
Talented photographer Natalie (Kyra Sedgwick) is having financial difficulties in New York City, New York. Her friend and agent Julia (Stockard Channing) finds a two day job in Boston, Massachusetts for twenty thousand dollars, and the reluctant Natalie accepts the work due to her need of money. When she arrives, she finds that she was hired by her arrogant gay brother Roy (Kiefer Sutherland), a successful designer. Natalie has broken the relationship and they have not seen each other for ten years. When she finishes her assignment, Roy asks her to stay one more day for his birthday party, and after that, he tells her that he has A.I.D.S. Natalie stays with him and along his last days, their resentments change to fraternal love.

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Torrent Contents Size: 513.25 MB

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ⓘ Description Feb 27, 2026

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Duration: 01:40:34

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Video Stream 1 MPEG-4
Codec: MPEG-4?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
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Frame Rate: 25 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

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Audio Stream 1 MP3 2.0
Channels: Stereo?Audio ChannelsStereo — left and right channels. The standard for most music and casual viewing.
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Codec: MP3?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
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Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 64 Mbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.