Alien Nation - The Enemy Within [1996 - USA] sci fi

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Added 4 years ago by NrKNrK in Movies
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Alien Nation - The Enemy Within [1996 - USA] sci fi
  • Release date: 12 Nov 1996
  • Release year: 1996
  • Runtime: 91 minutes
  • Country: United States
  • Keywords: prejudice, newcomer, detective, alien, tv series reunion, coffee, mustard, considering affair, key, tongue
Plot:
When Detectives Sikes and Francisco are presented with the mysterious death of an Eeno, Matt is stupefied to discover that George had rudely snubbed the case. He, like most Newcomers, reviles the outcast Eenos. As the case unfolds, George has to reassess his prejudices, and George's family help save the city from an alien threat originating in an Eeno waste disposal facility.

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480p

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Media Information

ⓘ Description Feb 27, 2026

General

Format: MKV

Video Streams

Video Stream 1 H.264 SD
Resolution: 704 x 528 (576p/SD)
Codec: H.264 (AVC)?Video CodecThe compression method used for the video. Newer codecs keep the same quality with smaller files.
MPEG-2H.264HEVCAV1
OlderMore efficient →
Bit Rate: 1.7 Mbps?Video Bit RateThe amount of data used per second for the video. Higher generally means better picture quality, but also a larger file.
Frame Rate: 23.976 fps?Frame RateHow many images are shown per second to create the illusion of motion.
24 fps — Cinema standard (filmic look)
30 fps — Common for TV shows
60 fps — Smooth motion (sports, gaming)

Audio Streams

Audio Stream 1 DD ENG
Channels: ?Audio ChannelsMono — a single audio channel, typically for voice or older recordings.
C👤
Codec: Dolby Digital (AC-3)?Audio FormatThe compression method for audio. Lossless codecs preserve the original studio quality perfectly.
Lossy (smaller files)MP2MP3AACVorbisOpusDDDD+DTS
Lossless (studio quality)FLACDTS-HD MATrueHDPCM
Sample Rate: 48 kHz?Sample RateHow many audio snapshots per second. 48 kHz is the video standard — more than enough for the full range of human hearing.
Bit Rate: 192 kbps?Audio Bit RateData per second for the audio. Higher means better quality for lossy codecs. Lossless audio always preserves full quality regardless of bitrate.